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Four Major Plays (European Literature)
Oxford World's Classics: European Literature | European Literature
Four Major Plays
ISBN： 9780199537518
Series: Oxford World's Classics: ヨーロッパ文学
Four Major Plays (European Literature)
Oxford World's Classics: ヨーロッパ文学 Four Major Plays (European Literature) メディア > 書籍 > ノンフィクション > 言語学習書 Expect Delays of Up to 4 Weeks
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ISBN
9780199537518 (旧規格ISBN： 0199537518)
- 説明
- シリーズの説明
作家名：ロルカ
放題：（ロルカ戯曲集）
'I have made a terrible discovery ...I have not yet been born ...I live off borrowed substance; what I have within me is not mine.' In his four last plays Federico Garcia Lorca offered his disturbed and disturbing personal vision to Spanish audiences of the 1930s - unready, as he thought them, for the sexual frankness and surreal expression of his more experimental work. The ill-fated lovers of Blood Wedding, the desolate Yerma, the fading spinster Rosita, and Bernarda Alba's abused household of women all inhabit a familiar Andalusia. Their predicaments are starkly plotted, with a stagecraft rooted in classical theatrical tradition. In such figures Lorca addresses the cultural and political ferment of his time with a fiercely libertarian assault on 'old and wrong moralities', fusing the personal and the political through his virtuoso mastery of images. Yet all that mastery can barely keep at bay the anguished contradictions of these doomed human lives. Hence the authentic sense of danger - the duende, to use his own word of Lorca's theatre, finely conveyed here in John Edmunds's fluent and rhythmic new translations that lend themselves admirably to performance.
放題：（ロルカ戯曲集）
'I have made a terrible discovery ...I have not yet been born ...I live off borrowed substance; what I have within me is not mine.' In his four last plays Federico Garcia Lorca offered his disturbed and disturbing personal vision to Spanish audiences of the 1930s - unready, as he thought them, for the sexual frankness and surreal expression of his more experimental work. The ill-fated lovers of Blood Wedding, the desolate Yerma, the fading spinster Rosita, and Bernarda Alba's abused household of women all inhabit a familiar Andalusia. Their predicaments are starkly plotted, with a stagecraft rooted in classical theatrical tradition. In such figures Lorca addresses the cultural and political ferment of his time with a fiercely libertarian assault on 'old and wrong moralities', fusing the personal and the political through his virtuoso mastery of images. Yet all that mastery can barely keep at bay the anguished contradictions of these doomed human lives. Hence the authentic sense of danger - the duende, to use his own word of Lorca's theatre, finely conveyed here in John Edmunds's fluent and rhythmic new translations that lend themselves admirably to performance.
Oxford World’s Classics は、誰もが知る有名な物語から一般読者にはなじみの薄い隠れた名作まで、古典や文芸作品の数々を100年以上に渡り提供し続けているオックスフォード大学出版局を代表する叢書です。 現在メソポタミア神話から20世紀小説の名著まで、約770タイトルを刊行しており、各作品に相応しい専門家を校訂者に迎え、原典に解題、注釈、年代記、関係書目を付して紹介しています。必要に応じ、地図や用語集、索引、図版等の付録をつけているほか、読者に最新の研究動向を踏まえた作品理解を促すべく、定期的な新刊の追加や、既刊タイトルの改版を行っています。
(注意：本書は、原文を掲載した書籍です。グレイデッド･リーダーではありません）
作家名：ロルカ
放題：（ロルカ戯曲集）
'I have made a terrible discovery ...I have not yet been born ...I live off borrowed substance; what I have within me is not mine.' In his four last plays Federico Garcia Lorca offered his disturbed and disturbing personal vision to Spanish audiences of the 1930s - unready, as he thought them, for the sexual frankness and surreal expression of his more experimental work. The ill-fated lovers of Blood Wedding, the desolate Yerma, the fading spinster Rosita, and Bernarda Alba's abused household of women all inhabit a familiar Andalusia. Their predicaments are starkly plotted, with a stagecraft rooted in classical theatrical tradition. In such figures Lorca addresses the cultural and political ferment of his time with a fiercely libertarian assault on 'old and wrong moralities', fusing the personal and the political through his virtuoso mastery of images. Yet all that mastery can barely keep at bay the anguished contradictions of these doomed human lives. Hence the authentic sense of danger - the duende, to use his own word of Lorca's theatre, finely conveyed here in John Edmunds's fluent and rhythmic new translations that lend themselves admirably to performance.
放題：（ロルカ戯曲集）
'I have made a terrible discovery ...I have not yet been born ...I live off borrowed substance; what I have within me is not mine.' In his four last plays Federico Garcia Lorca offered his disturbed and disturbing personal vision to Spanish audiences of the 1930s - unready, as he thought them, for the sexual frankness and surreal expression of his more experimental work. The ill-fated lovers of Blood Wedding, the desolate Yerma, the fading spinster Rosita, and Bernarda Alba's abused household of women all inhabit a familiar Andalusia. Their predicaments are starkly plotted, with a stagecraft rooted in classical theatrical tradition. In such figures Lorca addresses the cultural and political ferment of his time with a fiercely libertarian assault on 'old and wrong moralities', fusing the personal and the political through his virtuoso mastery of images. Yet all that mastery can barely keep at bay the anguished contradictions of these doomed human lives. Hence the authentic sense of danger - the duende, to use his own word of Lorca's theatre, finely conveyed here in John Edmunds's fluent and rhythmic new translations that lend themselves admirably to performance.
シリーズの説明
Oxford World’s Classics は、誰もが知る有名な物語から一般読者にはなじみの薄い隠れた名作まで、古典や文芸作品の数々を100年以上に渡り提供し続けているオックスフォード大学出版局を代表する叢書です。 現在メソポタミア神話から20世紀小説の名著まで、約770タイトルを刊行しており、各作品に相応しい専門家を校訂者に迎え、原典に解題、注釈、年代記、関係書目を付して紹介しています。必要に応じ、地図や用語集、索引、図版等の付録をつけているほか、読者に最新の研究動向を踏まえた作品理解を促すべく、定期的な新刊の追加や、既刊タイトルの改版を行っています。
(注意：本書は、原文を掲載した書籍です。グレイデッド･リーダーではありません）
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