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A Very Short Introduction • Latest Edition

A Very Short Introduction | Art
World Music (2nd edition)

ISBN: 9780198829140

Series: A Very Short Introduction

World Music (2nd edition) (Art)

A Very Short Introduction World Music (2nd edition) (Art) Media > Books > Non-Fiction > Education Books Expect Delays of Up to 4 Weeks
A Very Short Introduction
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A Very Short Introduction
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OXFORD
EDITION

Latest Edition

AGE RANGE

Adults

PAGES

144

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Age Range: Adults
Philip V. Bohlman
Published by Oxford University Press
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ISBN

9780198829140 (10-digit ISBN: 0198829140)

Author(s):

Philip V. Bohlman

  • Description
  • Key Features
  • Series Description
  • Table of Contents
  •      
    The term 'world music' encompasses both folk and popular music across the globe, as well as the sounds of cultural encounter and diversity, sacred voices raised in worship, local sounds, and universal values. It emerged as an invention of the West from encounters with other cultures, and holds the power to evoke the exotic and give voice to the voiceless. Today, in both sound and material it has a greater presence in human societies than ever before. The politics of which world music are a part - globalization, cosmopolitanism, and nationalism - play an increasingly direct role in societies throughout the world, but are at the same time also becoming increasingly controversial. 
          
    In this new edition of his Very Short Introduction, Philip Bohlman considers questions of meaning and technology in world music, and responds to the dramatically changing political world in which people produce and listen to world music. He also addresses the different ways in which world music is created, disseminated, and consumed, as the full reach of the internet and technologies that store and spread music through the exchange of data files spark a revolution in the production and availability of world music. Finally, Bohlman revises the way we think of the musician, as an increasingly mobile individual, sometimes because physical borders have fallen away, at other times because they are closing.
    • Presents world music in its full historical and modern diversity, ranging from folk and traditional music to 'worldbeat'
    • This new edition responds to the dramatically changed political world in which humans produce and listen to world music
    • Connects music from the distant past and faraway cultures to the world music of today
    • Addresses the different ways in which world music is created, disseminated, and consumed, and how these have changed in the twenty-first century
    • Revises the way we think of the musician, as an increasingly mobile individual

    Oxford's Very Short Introductions series offers concise and original introductions to a wide range of subjects--from Islam to Sociology, Politics to Classics, Literary Theory to History, and Archaeology to the Bible.

    Not simply a textbook of definitions, each volume in this series provides trenchant and provocative--yet always balanced and complete--discussions of the central issues in a given discipline or field. Every Very Short Introduction gives a readable evolution of the subject in question, demonstrating how the subject has developed and how it has influenced society. Eventually, the series will encompass every major academic discipline, offering all students an accessible and abundant reference library.

    Whatever the area of study that one deems important or appealing, whatever the topic that fascinates the general reader, the Very Short Introductions series has a handy and affordable guide that will likely prove indispensable.

    Please note: As this series is not ELT material, these titles are not subject to discount.

    Preface
    1: In the beginning: myth and meaning in world music
    2: The West and the world
    3: Between myth and history
    4: Music of the folk
    5: Music of the nations
    6: Diaspora
    7: Colonial musics, post-colonial worlds, and the globalization of world music
    Further reading
    Index

  • Description
  • Table of Contents
     
The term 'world music' encompasses both folk and popular music across the globe, as well as the sounds of cultural encounter and diversity, sacred voices raised in worship, local sounds, and universal values. It emerged as an invention of the West from encounters with other cultures, and holds the power to evoke the exotic and give voice to the voiceless. Today, in both sound and material it has a greater presence in human societies than ever before. The politics of which world music are a part - globalization, cosmopolitanism, and nationalism - play an increasingly direct role in societies throughout the world, but are at the same time also becoming increasingly controversial. 
      
In this new edition of his Very Short Introduction, Philip Bohlman considers questions of meaning and technology in world music, and responds to the dramatically changing political world in which people produce and listen to world music. He also addresses the different ways in which world music is created, disseminated, and consumed, as the full reach of the internet and technologies that store and spread music through the exchange of data files spark a revolution in the production and availability of world music. Finally, Bohlman revises the way we think of the musician, as an increasingly mobile individual, sometimes because physical borders have fallen away, at other times because they are closing.

Key Features

  • Presents world music in its full historical and modern diversity, ranging from folk and traditional music to 'worldbeat'
  • This new edition responds to the dramatically changed political world in which humans produce and listen to world music
  • Connects music from the distant past and faraway cultures to the world music of today
  • Addresses the different ways in which world music is created, disseminated, and consumed, and how these have changed in the twenty-first century
  • Revises the way we think of the musician, as an increasingly mobile individual

Series Description

Oxford's Very Short Introductions series offers concise and original introductions to a wide range of subjects--from Islam to Sociology, Politics to Classics, Literary Theory to History, and Archaeology to the Bible.

Not simply a textbook of definitions, each volume in this series provides trenchant and provocative--yet always balanced and complete--discussions of the central issues in a given discipline or field. Every Very Short Introduction gives a readable evolution of the subject in question, demonstrating how the subject has developed and how it has influenced society. Eventually, the series will encompass every major academic discipline, offering all students an accessible and abundant reference library.

Whatever the area of study that one deems important or appealing, whatever the topic that fascinates the general reader, the Very Short Introductions series has a handy and affordable guide that will likely prove indispensable.

Please note: As this series is not ELT material, these titles are not subject to discount.

Preface
1: In the beginning: myth and meaning in world music
2: The West and the world
3: Between myth and history
4: Music of the folk
5: Music of the nations
6: Diaspora
7: Colonial musics, post-colonial worlds, and the globalization of world music
Further reading
Index

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