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A Very Short Introduction • Latest Edition

A Very Short Introduction | Literature
The Short Story

ISBN: 9780198754633

Series: A Very Short Introduction

The Short Story (Literature)

A Very Short Introduction The Short Story (Literature) Media > Books > Non-Fiction > Education Books Expect Delays of Up to 4 Weeks
A Very Short Introduction
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A Very Short Introduction
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OXFORD
EDITION

Latest Edition

AGE RANGE

Adults

PAGES

184

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Age Range: Adults
Andrew Kahn
Published by Oxford University Press
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ISBN

9780198754633 (10-digit ISBN: 0198754639)

Author(s):

Andrew Kahn

  • Description
  • Key Features
  • Series Description
  • Table of Contents
  •    
    What defines a modern short story is much more than a question of length. Despite the efforts of early pioneers like Edgar Allan Poe, the genre was originally synonymous with the anecdote or tale and seen more as entertainment than art. However it has become far more than that, and this Very Short Introduction considers afresh the form's ongoing innovations in plot construction, capacity for psychological insight, and ability to offer intensely concentrated perceptions.
       
    This book charts the rise of the short story from its original appearance in magazines and newspapers, largely in the United States and Great Britain. For much of the nineteenth century, tales were written for the press, and the form's history is marked by engagement with popular fiction. From the later nineteenth century, the short story earned a reputation for its skillful use of plot design and character study distinct from the novel. After the First World War it found outlets in high-brow publications, and single-author collections, as well as anthologies, were regularly published. Exploring the form's techniques and themes, Andrew Kahn considers the continuity and variation in key structures and techniques such as the beginning, the creation of voice, the ironic turn or plot twist, and how writers manage endings. Throughout he draws on examples from an international and flourishing corpus of work, with close analysis of classic and lesser-known stories by American, Canadian, Irish, Australian, Russian, and French masters such as James Baldwin, Grace Paley, Alice Munro, Elizabeth Taylor, William Trevor, Helen Garner, Chekhov, and Guy de Maupassant.
    • Provides a clear analysis of the techniques and themes common to the international genre of short stories
    • Examines the rise of the short story, as facilitated by the explansion of global press
    • Draws on a diverse array of examples to illustrate common thematic threads, and form
    • Considers the ways in which the genre has been constantly innovated and expanded

    Oxford's Very Short Introductions series offers concise and original introductions to a wide range of subjects--from Islam to Sociology, Politics to Classics, Literary Theory to History, and Archaeology to the Bible.

    Not simply a textbook of definitions, each volume in this series provides trenchant and provocative--yet always balanced and complete--discussions of the central issues in a given discipline or field. Every Very Short Introduction gives a readable evolution of the subject in question, demonstrating how the subject has developed and how it has influenced society. Eventually, the series will encompass every major academic discipline, offering all students an accessible and abundant reference library.

    Whatever the area of study that one deems important or appealing, whatever the topic that fascinates the general reader, the Very Short Introductions series has a handy and affordable guide that will likely prove indispensable.

    Please note: As this series is not ELT material, these titles are not subject to discount.

    Preface
    1:The Rise of the Short Story
    2:Openings
    3:Voices
    4:Place
    5:The Plot Thickens...and Thins
    6:Ironies and Reversals
    7:Chekhov's Heirs
    8:Endings
    References, Further Reading, Secondary Literature
    Index

  • Description
  • Table of Contents
   
What defines a modern short story is much more than a question of length. Despite the efforts of early pioneers like Edgar Allan Poe, the genre was originally synonymous with the anecdote or tale and seen more as entertainment than art. However it has become far more than that, and this Very Short Introduction considers afresh the form's ongoing innovations in plot construction, capacity for psychological insight, and ability to offer intensely concentrated perceptions.
   
This book charts the rise of the short story from its original appearance in magazines and newspapers, largely in the United States and Great Britain. For much of the nineteenth century, tales were written for the press, and the form's history is marked by engagement with popular fiction. From the later nineteenth century, the short story earned a reputation for its skillful use of plot design and character study distinct from the novel. After the First World War it found outlets in high-brow publications, and single-author collections, as well as anthologies, were regularly published. Exploring the form's techniques and themes, Andrew Kahn considers the continuity and variation in key structures and techniques such as the beginning, the creation of voice, the ironic turn or plot twist, and how writers manage endings. Throughout he draws on examples from an international and flourishing corpus of work, with close analysis of classic and lesser-known stories by American, Canadian, Irish, Australian, Russian, and French masters such as James Baldwin, Grace Paley, Alice Munro, Elizabeth Taylor, William Trevor, Helen Garner, Chekhov, and Guy de Maupassant.

Key Features

  • Provides a clear analysis of the techniques and themes common to the international genre of short stories
  • Examines the rise of the short story, as facilitated by the explansion of global press
  • Draws on a diverse array of examples to illustrate common thematic threads, and form
  • Considers the ways in which the genre has been constantly innovated and expanded

Series Description

Oxford's Very Short Introductions series offers concise and original introductions to a wide range of subjects--from Islam to Sociology, Politics to Classics, Literary Theory to History, and Archaeology to the Bible.

Not simply a textbook of definitions, each volume in this series provides trenchant and provocative--yet always balanced and complete--discussions of the central issues in a given discipline or field. Every Very Short Introduction gives a readable evolution of the subject in question, demonstrating how the subject has developed and how it has influenced society. Eventually, the series will encompass every major academic discipline, offering all students an accessible and abundant reference library.

Whatever the area of study that one deems important or appealing, whatever the topic that fascinates the general reader, the Very Short Introductions series has a handy and affordable guide that will likely prove indispensable.

Please note: As this series is not ELT material, these titles are not subject to discount.

Preface
1:The Rise of the Short Story
2:Openings
3:Voices
4:Place
5:The Plot Thickens...and Thins
6:Ironies and Reversals
7:Chekhov's Heirs
8:Endings
References, Further Reading, Secondary Literature
Index

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